Direct and Indirect Tonal Painting
This course covers
- Theory of representing form and light tonally - tonal scale, edges, shadow shapes
- Direct tonal painting in Oil Paint
- Methods of Indirect, layered oil painting
- "Wipe out", Grissaile and acrylic underpainting methods
Below, from Left: An example of "wipe out" underpainting, and three different approaches to the depiction of a subject - a form drawing (pencil) , wipe out underpainting (one dark neutral, in this case raw umber), and grisaille (in this case raw umber and white). An acrylic grisaille of a figure modelled with very clear separation of tonal regions, ie the edges of each area is completely unblended.
Below: The process of one of my still life paintings using a wipeout underpainting in several dark neutral paints
Below: One of Scott's students learning a process of transferring from a full size drawing (technically called a cartoon) to a painting via an acrylic grisaille on a mid toned panel, overpainted in oil paint.
Below: famous examples of grisaille and cartoons, from left:
Andrea del Sarto grisaille "Baptism of the Multitude" in the Cloister of the Scalzo.
Leonardo's study for the drapery of a seated figure.
Part of Leonardo's cartoon for "Virgin and Child with St Anne and John the Baptist" at the National Gallery, London.
Leonardo's underpainting for "St Jerome in the Wilderness".